Songza App Now Available on Android Tablets

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Back in June, Songza reached 1.15 million iOS downloads within 10 days of releasing its iPad app. Now, the company is hoping to reach the same heights with the launch of an Android tablet app.

Development of the Android tablet app came along with input from platform users, the company said, in order to optimize the app experience and take advantage of the added real estate the larger tablet format offers. Built from the ground-up, the new app supports all versions of the Android operating systems, including 4.1 Jelly Bean.

The music exploration app provides a "music concierge" service by streaming playlists that fit any activity, at any time of the day and week.

The company touts Songza as "a lifestyle enhancer, using music to improve the things you do every day," a press release said. "Each time you use Songza, you're served the expertly curated playlist that will help you wake up, workout, commute, focus, unwind, entertain, sleep (and just about anything else) better."

Behind the scenes, Songza has 25 "music experts" building various playlists, which are then dropped into an algorithm that helps users discover the perfect soundtrack for the moment. Built-in playlists provide quick access, though users can also search favorite artists to find similar music.

In June, Songza co-creator Elias Roman told PCMag that the company was already growing 50 percent month over month in downloads, before the iPad app launched.

Pulling tunes from a library of about 18 million songs, Songza must compete with similar services like Spotify and Pandora, though Roman said that his company doesn't simply give access to songs, but instead helps listeners choose the right music at the right time.

The free Web and mobile app also comes commercial free.

Songza is currently availabile on the Web, iOS, Kindle Fire , and select Android devices. The new Android tablet app is available to download for free in the Google Play store.

For more, see PCMag's reviews of Songza for the Web and Songza for iPad (slideshow below).

For more from Stephanie, follow her on Twitter @smlotPCMag.


Canon PowerShot ELPH 300 HS (Black)

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The good: The Canon PowerShot Elph 300 HS is a fun-to-use ultracompact with excellent photo quality even if just left in auto.

The bad: The 300 HS might be too small for some, and accessing its shooting modes other than auto is laborious.

The bottom line: If you're looking for a nice, simple ultracompact for use indoors and out, you'll want to strongly consider the Canon PowerShot Elph 300 HS.

Canon was falling a bit behind with its PowerShot Elph series of ultracompact cameras. Not in photo quality, but with features, shooting performance, and overall value. For 2011, though, Canon snapped back thanks to the addition of backside-illuminated CMOS sensors in all of the new Elph models. It even changed the naming system, dropping SD and IS from the products and adding HS. They all take SD cards and have image stabilization so those were no longer necessary, and they now feature Canon's HS System that combines the aforementioned sensor with the Digic 4 image processor to product better low-light photos and faster shooting performance.

The PowerShot Elph 300 HS is the smallest in the current lineup, and overall it's just a really fun pocket camera. Partly because it is so small, but it's also easy to use and works well. It may not have as many features or be as fast as some competing models, but it has plenty to offer and should be fast enough for most users. And if you just want very good photos straight from the camera without leaving Auto, this is probably the ultracompact you want.

Weight (with battery and media)Megapixels, image sensor size, typeLCD size, resolution/viewfinderLens (zoom, aperture, focal length)5x, f2.7-5.9, 24-120mm (35mm equivalent)Highest resolution size (still/video)4,000x3,000 pixels/ 1,920x1,080 at 24fpsLi ion rechargeable, 220 shotsSD/SDHC/SDXC cards, Eye-Fi SD/SDHC cardsZoomBrowser EX 6.7/PhotoStitch 3.1 (Windows); ImageBrowser 6.7/PhotoStitch 3.2 (Mac); Map Utility 1.0 (Windows/Mac)

The Elph 300 HS produces generally excellent snapshots. Photos do get softer and noisier above ISO 200--typical for point-and-shoots--but ISO 400 and 800 are still very usable. The noise and noise reduction are well balanced so you still get good color and detail at these higher sensitivities. Colors desaturate some at ISO 1,600 and 3,200, subjects look very soft, and detail is greatly diminished. While you might not want to view them at larger sizes or heavily crop them, the high-ISO results should be satisfactory for Web or prints at small sizes.

Compared with a camera with a similar sensor and lens, the Sony Cyber-shot WX9, the Elph 300 HS may have a slight edge. Both drop off in quality at ISO 400. The Sony's noise is slightly better, but its reduction smears details; the Canon is noisier, but it retains more detail. Sony has multishot modes for improving low-light photos and dynamic range, which can get you better results than the Canon, but the 300 HS has better color performance: bright, vivid, and accurate. It really comes down to your needs and expectations and, frankly, how many gee-whiz features you want for your money.

Video quality is on par with a very good HD pocket video camera: good enough for Web use and nondiscriminating TV viewing. The full HD video records at 24fps, and though panning the camera will create judder and there is visible trailing on moving subjects, the video is definitely watchable. Those things are typical of the video from most compact cameras, too. The zoom lens does work while recording; it moves very slowly, though, likely to prevent the movement from being picked up by the stereo mics on top.

ISO sensitivity (full resolution)Auto, 100, 200, 400, 800, 1,600, 3,200Auto, Day Light, Cloudy, Tungsten, Fluorescent, Fluorescent H, Underwater, CustomAuto, Program, Portrait, Kids & Pets, Smart Shutter, High-speed Burst, Best Image Selection, Handheld Night Scene, Low Light, Fish-eye Effect, Miniature Effect, Toy Camera Effect, Monochrome, Super Vivid, Poster Effect, Color Accent, Color Swap, Beach, Underwater, Foliage, Snow, Fireworks, Long Shutter, Stitch Assist, Movie Digest, Movie (Standard, Super Slow Motion, Miniature Effect)Face Detection AF, Center AF, Tracking AFMulti, Center-weighted average, SpotVivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color (sharpness, contrast, saturation, red, green, blue, skin tone)Burst mode shot limit (full resolution)

If you're looking for an ultracompact to leave in auto, the 300 HS is probably perfect for you. The shooting-mode switch on back of the camera has two options: one for Auto and a camera mode (that's what I'm calling it since it's designated by a picture of a camera). The camera mode gives you access to a Program Auto mode as well as all the scene modes, creative effects modes, and slow-motion video recording. (Check out the slideshow earlier in this review to see examples of the creative effects.) However, they're laid out in one long list, so if you're the type to change modes frequently, this can be a pain. Canon's Smart Shutter option is there, too, which includes a smile-activated shutter release as well as Wink and Face Detection self-timers. Wink allows you to set off the shutter simply by winking at the camera, and the Face Detection option will wait till the camera detects a new face in front of the camera before it fires off a shot. Both work well.

One of the biggest benefits to CMOS sensors is their fast speed compared with CCD sensors. That's certainly true of the 300 HS, getting a noticeable performance jump from the CCD-based SD1400 IS. On the other hand, it is slightly slower than CMOS-based ultracompacts from other manufacturers. The camera goes from off to first shot in 1.5 seconds, with shot-to-shot times averaging 2.2 seconds without flash and 3.6 seconds with flash. Its shutter lag--the time it takes from pressing the shutter release to capturing a photo--is 0.5 second in bright lighting and 0.9 second in low-light conditions. The camera's burst mode is capable of capturing at 3.2 frames per second, with focus and exposure set with the first shot. It can shoot until your memory card fills up, though, which is nice; competing cameras have a burst limit and make you wait while images are stored before you can shoot again. The camera also has a high-speed burst mode that can shoot 3-megapixel photos at up to 8.2fps. The results are very good compared with similar modes on other cameras I've tested, suitable for small prints and definitely for Web use.

The look and design hasn't changed much from its predecessor, the SD1400 IS, or its predecessor, the SD940. It's still very, very small, which remains its greatest attribute. It's small enough that you'll never hesitate to take it with you. However, if you plan to keep it loose in a bag, invest in some manner of protection or risk scratching up its beautiful body and screen. The model is available in silver, black, and red. The lens barrel color closely matches the body, too, giving it a peculiar uniform look. Canon did add a slight gritty texture to the body, which is appreciated, but some might find it irritating.

Using the camera is remarkably comfortable, even for large hands. All of the controls are flat and flush with the body. It gives the camera a very smooth appearance, but using the four-way directional pad and center Func/Set button can be a little difficult. They do feel easier to press than past models, though. Also, while I had no problems using them, the buttons, shooting-mode switch, and zoom rocker are tiny, which might be a problem for some; it would be an excellent idea to lay hands on one before you buy it.

Regardless of their shape and size, the controls are easy to master. The menu system can take some getting used to depending on how quickly you can remember to hit the Func/Set button for shooting-mode specific settings and the Menu button for everything else. You also have the option to turn on a help system with hints and tips for choosing the appropriate settings or simply telling you what the shooting mode you're in is going to do. It's not uncommon to find, but Canon does a nice job of it. The next step is to get a full, searchable user manual on it since there's no printed manual included.

For connecting to a computer, monitor, or HDTV there are Mini-USB/AV and Mini-HDMI outputs underneath a small door right side of the body. The battery and memory card compartment is on the bottom under a nonlocking door. The battery does not charge in camera, and the shot life is rated at 220, so you'll probably find yourself opening the compartment quite a bit if you shoot regularly. Keep in mind, too, that using the zoom or burst shooting a lot, shooting full HD movies, and keeping the screen brightness high will all cut into your battery life.

Conclusion
Instead of just giving the PowerShot Elph 300 HS a megapixel bump and some extra shooting modes, Canon actually improved it from earlier iterations. One of the big issues with those past models was shooting performance, which is better on the 300 HS, especially in regard to continuous shooting. Photo and video quality are excellent, and instead of unnecessarily going up to 16 megapixels, Canon keeps it at a sane 12 megapixels, which is actually a lower resolution than its predecessor, the SD1400 IS. For those of you who like to keep your point-and-shoot in auto, the 300 HS is a smart choice.

Shooting speed (in seconds)
(Shorter bars indicate better performance)
Typical continuous-shooting speed (frames per second)
(Longer bars indicate better performance)

Find out more about how we test digital cameras.

Video series of Tamron how-to

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Tamron has launched a new series of video including profiles of pro photographers as they shoot location and councils present viewers to seize the best images. The videos are about 6 minutes in length and follow photographers as they explain their approach to capturing images in their style.

Tamron press release

TAMRON LAUNCHES A NEW SERIES OF HOW-TO VIDEO

New video series profiles of pro photographers as they shoot location and councils present viewers to seize the best images

15 August 2012, Commack, New York - Tamron USA Inc. Announces the launch of a new series of how-to videos to be published on a monthly basis until December 2012. The six videos, intended for beginners and amateurs of photo, cover a variety of subjects, travel and macro for the animal and portraits of children. The videos are about 6 minutes in length and follow photographers as they explain their approach to capturing images in their style. Each photographer provides helpful advice to help the Viewer to create better photos. The videos will be posted on the channel of YouTube ™ of society in the http://www.youtube.com/tamronvids.

The line-up of video series how-to

Two of the six videos are available for immediate viewing on the channel of YouTube ™ of Tamron:
• Travel Tamron how-to photography: Nature and scenery featuring Ian plant (http://youtu.be/cE53VeoAstU)
• How - to Tamron Macro photography: equipment, lighting boards & more featuring David Maynard (http://youtu.be/bX9Niwg2zbY)

Four other videos will be posted September to December:
• How - to Tamron Pet Photography: Capture of Pet personality in natural light and in their own environment with Brittany Croft
• How - to child Tamron photography: Candid & Moments of natural light posed with your children, featuring Angie Arthur
• How - to child Tamron photography: baby in the Studio with Jami Saunders photography
• How - to child Tamron photography: painting with light, featuring AndrĂ© Costantini

Tamron Channel on YouTube ™
Tamron has posted 56 videos to date in a variety of categories presented in five selections: choice and use of lenses; Tamron technology; Looking for Tamron lenses. New lenses; and Tamron 1 - Minute DSLR know-how, a series of videos designed to help new users of reflex to familiarize themselves with the functionality of their camera and how to use features to make better photos. There are 12 videos of one minute in the first part and 6 longer videos of the second part. Nearly 3 000 people are subscribers to the TamronVids canal.

Comments by Tamron
Tamron is a leader recognized in the manufacture of precision optics, offering a wide selection of interchangeable lenses meticulously engineering for professional photographers and photo enthusiasts. Founded in 1950, passion of the Tamron for innovation from the innovative development of hybrid aspherical elements manufactured in series, gives way to compact zoom lenses, extremely popular range. Dynamic research and development, is is committed to advanced optical engineering, have produced a stream of price Tamron lenses and defined the category zoom lens All in One, illustrated by EISA award-winning of 2010 18-270 mm Di II VC PZD. Incredibly compact and lightweight, this 15 X zoom has a proprietary VC (Vibration Compensation), counteract effectively the blur degrading image caused by camera shake with a quick, calm, mechanism of autofocus PZD (Piezo Drive). Tamron lenses offer a superb fusion of performance and value, which allows high-resolution digital SLR today perform at their peak.

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Lenovo IdeaCentre A720

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By Joel Santo Domingo

The Lenovo IdeaCentre A720 ($1,449.99 list) is a very good touch-screen PC. The best way to describe it is a 27-inch tablet PC with an ergonomic stand. You won't ever consider this 25-pound system a portable, but if you're specifically looking for a family-friendly touch-screen system that lets you enjoy casual games, photos, videos, and music, the IdeaCentre A720 should be on your short list of all-in-one desktop PCs. That said, it lags behind the competition in terms of features and performance. It's not a bad system per se; it just needs more than design and a great touch screen to win over its competition.

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Design
The A720 is one of the most design-forward all-in-one PCs brought to market, and that includes systems like the Apple iMac 27-inch (Thunderbolt) ($1,999 list, 4 stars) , which has been built around the same basic design philosophy since 2004. Unlike the current iMac versions, which has all its components built behind the screen, the A720 has its components and motherboard built into the base. In the past, it had been considered clunky to put the system's motherboard into the base, since that would result in a system that requires chunky arms to hold the screen or a very short overhang like the one on the Samsung Series 7 (DP700A38-01) ($999.99 list, 4 stars) . The A720 has a double-hinged arm holding its slim screen, resulting in a system that looks svelte from most angles.

The system's 27-inch screen is full 1080p HD (1,920-by-1,080 resolution), so it can display 1080p HD Web videos and Blu-ray movies in native resolution. That is, you see all the pixels you paid for, not scaled up as they might be on non-1080p displays. The screen tilts from a few degrees off vertical down to 90 degrees (laying flat). That said, it's somewhat disappointing that the A720 doesn't have a higher resolution screen. Systems like the iMac and the Dell XPS One 27 ($1,999 list, 4.5 stars) up the ante by providing a 2,560-by-1,440 resolution screen at 27-inches. It's not quite a deal-breaker, but you may want to consider the latter two if you are a multimedia content creator, like a photographer.

The screen is a 10-point capacitive touch screen. What this means is that you can do full 10-finger touch typing on the onscreen keyboard, and touch-screen games like the included Angry Birds and Fruit Ninja play like you'd expect them to on your tablet or smartphone. It was an interesting experience playing Angry Birds on the touch screen. There's a little bit of extra friction dragging on your finger since you have to move your finger a further distance compared with that you would do on a tablet screen, but it's easy to get used to the extra effort. One thing missing from using Windows 7 with a touch screen is that you don't have the sense of inertia while scrolling, but that is easily corrected with browser plug ins.

Though the hinge that holds the screen has enough friction to keep the screen from moving during Angry Bird sessions, and it even holds still when you're playing a touch-based action game like the ones included in Lenovo's Idea Touch interface. The screen is steadier than the wobbly Samsung Series 7 screen, and much closer to the rock-steady tilt screen mechanism on the HP TouchSmart 620-1080 3D ($1,899 direct, 4 stars) . There was still a bit of movement when you touch the A720's screen, but the motion is dampened quickly after you pull your fingers away from the screen. The steady screen of the HP TouchSmart 6xx series is still the design to beat for extended use touch screens, but the A720 is almost as stable in day-to-day use.

In addition to the touch screen, the A720 comes with a 720p webcam, which can be used to control a few games by visual tracking. In practice, this works kind of like the Microsoft Kinect on the Xbox 360 platform. However, the game selection that works with the motion control is somewhat limted. The Kinect is a much more mature platform at this time.

The system comes with a quad-core Intel Core i5-3210M processor, 6GB of memory, a 500GB hard drive, and Nvidia GeForce GT 630M graphics. They are quite rightly in the middle of the pack in terms of components, which is fitting for a midrange all-in-one PC such as this. The system comes with a Blu-ray reader (BD-ROM) so you can play HD movies on the 27-inch screen. It's essentially a home theater on a desk, especially since the system has a decent pair of speakers in its base.

The base holds the system's keyboard out of the way when you're watching a movie or TV using the system's built-in HDTV tuner. We were able to watch daytime coverage of the London Olympics, and it looked crisp and clear via our local NBC station. The lower bezel of the screen has a row of backlit touch-sensitive controls, which control functions like volume, screen input, and screen presets for text, the Internet, and movies. One nit for the system is the need for a USB IR dongle for the remote control. An IR receiver should be built into the system's chassis, so you don't have to "waste" one of the system's two USB 2.0 ports.

The A720 has a very good set of I/O ports for connecting other devices. It comes with two USB 2.0 ports (filled by the keyboard/mouse dongle), two USB 3.0 ports, audio, jack for the TV tuner antenna, Ethernet, Kensington lock port, and an SD card reader. There are both HDMI-in and HDMI-out ports conveniently located on the left side of the base. This way you can hook up an extra monitor to the HDMI-out port for additional screen space, or you can hook up a HD source like a cable box to the HDMI-in port. You can also use the HDMI-in port to extend the life of the system's monitor. You should be able to use the 27-inch monitor even after the internal components are obsolete, just hook up your future PC to the A720's HDMI-in port for an instant upgrade.

The system's notebook-class, 2.5-inch 500GB, 5,400rpm hard drive is adequate for media consumption duties, particularly now that many people look to online streaming for entertainment. If you're a video collector, you may want to pick up a larger USB 3.0 drive for your downloads. The hard drive comes with quite a few Lenovo programs and utilities pre-installed. The usual Lenovo Rescue and Recovery tool is here, along with Lenovo Vantage Tools and Idea Touch, both of which help you organize programs and documents in a touch-friendly interface. ArcSoft PhotoStudio Paint is pre-loaded, as are touch games like Angry Birds, Fruit Ninja, and an oddly named Pong-clone (Wong). There are also a bunch of other utilities and programs pre-installed, like Office 2010 Starter, Google Chrome, PowerDVD, and a 60-day trial version of McAfee Anti-Virus Plus.

Performance
Lenovo IdeaCentre A720 The IdeaCentre A720 was a "merely okay" performer at our benchmark tests, meaning that it is mainly aimed at the media consumer rather than the media creators out there. The combination of the Intel Core i5-3210M processor, 6GB of memory, 5,400 rpm hard drive, and relatively low-end Nvidia GeForce GT 630M graphics results in adequate scores and times. The system completes our Handbrake video encoder test in 1 minute 46 seconds and our Photoshop CS5 test in just over four minutes (4:03). These scores lag the Editors' Choice Asus ET2701INKI-B046C ($1,399 list, 4 stars) by a significant margin (1:07 Handbrake, 2:51 CS5). The A720 also placed behind other recent 27-inch systems like the Dell XPS One 27 and both recently reviewed versions of the HP Omni 27. That said, the A720 is perfectly fast enough for 1080p HD playback, whether your source is online videos, Blu-ray, or over the air HDTV signals. The A720 was an unremarkable performer at the 3D games: its score of 55 frames per second (fps) at Crysis and 30 fps at Lost Planet 2 (both at medium quality) put it in the "somewhat playable" category.

Lenovo IdeaCentre A720

The Lenovo IdeaCentre A720 hits all the right media consumption buttons. It has a huge screen, it's fast enough and shouldn't feel slow too soon, plus it has an innovative screen hinge that makes it a superbly usable touch PC. However, systems like the current Editors' Choice for midrange all-in-ones, the Asus ET2701INKI0B046C trump the A720 in just about all stats except the utility of the A720's touch screen. The Asus ET2701has a lower price, much faster processor, better multimedia performance, more memory, more storage, and better 3D performance. If you need a touch screen now, the A720 should float a bit higher on your list, but until Windows 8 appears pre-loaded on desktops, touch screens aren't (yet) a must-have component.

BENCHMARK TEST RESULTS
Check out the test scores for the Lenovo IdeaCentre A720

COMPARISON TABLE
Compare the Lenovo IdeaCentre A720 with several other desktops side by side.

More desktop reviews:
•   HP Omni 27-1015t
•   Lenovo IdeaCentre A720
•   HP Pavilion HPE h9-1120t Phoenix
•   Acer Predator AG3620-UR21P
•   Velocity Micro Vector Campus Edition (2012)
•  more

Comcast's Low-Income Internet Program Reaches 100,000 Families

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AppId is over the quota

Comcast this week provided an update on its low-income Web service, known as Internet Essentials, which is now servicing nearly 100,000 families, or almost 400,000 low-income Americans.

Internet Essentials launched in Sept. 2011, providing $10-per-month online access to families who have at least one child enrolled in the National School Lunch Program (NSLP).

Internet Essentials is intended to close the gap between Internet users, and those who can't afford a $40 or $60 per month fee. Participants must live where Comcast already provides service, and must not have been a Comcast subscriber in the last 90 days, or have an outstanding Comcast bill or unreturned equipment.

Comcast worked this year to enhance the program, expanding its eligibility requirements to those with children in the reduced price school launch program as well as the free lunch program. Comcast also grew its digital literacy component, doubled connection speeds from 1.5Mbps to 3Mbps, and unveiled a bulk order program for communities.

Moving into the second year of the program, Comcast will once again embark on a multi-city tour to publicize Internet Essentials, as well as talk about the experience and what changes have been made in the year.

"And we won't stop there," David L. Cohen, executive vice president and chief diversity officer for Comcast, said in a blog post. "We have a lot more work to do because the fact remains that far too many Americans, many from low-income families, are still not connected to the Internet and taking advantage of all that it has to offer."

Those interested in signing up for the service can call 1-855-8-INTERNET. By providing a name and address, Comcast will verify that the family is enrolled in the NSLP, then sign people up.

For more, see PCMag's Guide to Internet Service on the Cheap and How to Get Free Cell Phone Service.

For more from Stephanie, follow her on Twitter @smlotPCMag.

Sony Bloggie Touch MHS-TS20 (silver)

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AppId is over the quota
The good: Attractive, lightweight, and small; full use of 3-inch screen for shooting; autofocus macro; captures stills while shooting video; simple to use.

The bad: Autofocus can be slow; no memory expansion; no HDMI cable included; no mic or headphone jack; weak software.

The bottom line: If you're looking for a simple shoot-and-share minicamcorder, the Bloggie Touch is a good option--that is, as long as you understand its limitations.

There is a lot of competition in the minicamcorder/pocket video camera space. Sony's Bloggie Touch stands out for its design and build quality, which is centered around a 3-inch touch screen. Past Sony models were lacking in the look and feel departments, as well in usability. The Bloggie Touch corrects that by aiming for simplicity and hitting its target. Unfortunately, all that competition means there are similarly priced devices out there with more or better features. Anyone who wants tons of settings and features should look elsewhere. That said, if ease of use and design matter a great deal, you might just like what the Bloggie Touch offers.

Autofocus is one of the big selling points of the Bloggie Touch, since it's something many devices in this category don't have. This allows you to go from shooting something like a whole garden right down to a single flower 4 inches away. The AF isn't all that fast, though, and it's even slower in low-light conditions. And if your subject is moving or you're moving the camera, your video will pulse in and out of focus. Though I don't have a problem with this, some will find it too distracting to be useful. Also, if you're shooting in complete silence, you will hear a faint ticking sound picked up by the mono microphone while it's trying to focus. I know this all sounds bad, but since most minicamcorders can't focus on anything closer than 3 feet from the lens, it's actually a plus to have this feature if you understand the limitations.

The video quality from the Bloggie Touch is very good under the right circumstances. Of course, pocket video cameras such as this can't compete with a full-fledged HD camcorder that costs hundreds of dollars more. There are other factors that go into creating great video beyond high resolution, so if you're considering this for its "full HD" setting, you might want to think twice. While color and exposure are good, the video isn't very sharp and on a large TV looks a bit soft and painterly. It doesn't look bad, but if you're expecting razor-sharp clarity because it's 1080p, you'll likely be disappointed. Also, it doesn't handle movement--of the subject or of the device--very well at 1080p, creating a lot of judder. That's unfortunately typical of this type of video camera. The upside to the Bloggie Touch is that Sony gives you a 720/60p setting, which smooths things out some if you're shooting action or doing a lot of panning left and right. Lastly, the low-light video is noisy and grainy with readily visible artifacts. I've seen much worse, though, so all in all the Bloggie Touch does all right indoors and in darker conditions.

Weight (with battery and media)TS10, 4GB; TS20, 8GB/internal flash memory12 megapixels, 1/2.5-inch CMOS3-inch touch-screen LCD, 288K dotsFixed focal length, f2.8 37mm (35mm equivalent)H.264 video, stereo AAC audio (MP4)1920x1080 pixels at 30fps (13Mbps; progressive)Built-in lithium ion rechargeable, 70 minutes

The Bloggie Touch comes in two versions: the TS10 and TS20. The former has 4GB of internal memory, the latter has 8GB; that is the only difference between them. At their lowest recording resolution--720p at 30fps--that gives you about 2 hours and 4 hours of recording space. However, the maximum continuous recording time for a clip is 29 minutes, which is typical for pocket video cameras.

Again, the Bloggie Touch looks quite nice. That's mostly because competing models tend to look and feel cheap and junky. The casing is brushed metal and there's nothing on the front except for the lens. On the back are the 3-inch touch-screen LCD and a record button. The device is held horizontally for shooting wide-screen video, so you can use the whole screen for framing your shots. That's a nice touch; other touch-screen models I've tested let you use the full screen only for playback. The Bloggie Touch does have an autorotation sensor, though, which means if you turn the device vertically so goes your video. Basically you'll get a long, thin portrait video instead of a wide-screen video.

Holding the minicamcorder horizontally puts a power button and shutter release for photos under your right index finger. You can capture photos at up to 12 megapixels when not shooting movies. If you press the release while recording video, it will capture a photo at whatever resolution you're recording at, roughly 2 megapixels at 1080p or 0.9 megapixel at 720p.

At the bottom or right side of the video camera is a pop-out USB connector for transferring files to and from a computer as well as charging the battery. Next to it is a threaded tripod receptacle, which is poor placement because the device has to be positioned horizontally to capture wide-screen video. It should really be on the bottom/left side with the Mini-HDMI port.

Unaired Original Mac Ad from Apple Surfaces

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AppId is over the quota

A rare, never aired television ad for Apple's original Macintosh was making the rounds Friday after Mac co-creator and current Google software engineer Andy Hertzfeld shared it on his Google+ profile and 9to5Mac brought it to a wider audience.

The commercial, which features Hertzfeld and other members of the original Mac team discussing their baby, never appeared on TV "because Apple deemed it too self-congratulatory, although it was used in some promotional materials sent to dealers," Hertzfeld wrote.

"So we set out to capture the greatness of Lisa in something affordable to individuals rather than corporations," he says in the unaired ad, in which he's identified as a Macintosh "software wizard." Hertzfeld was referring to Apple's business-targeted, graphical interface-sporting Lisa computer released in January 1983.

Also appearing in the ad are Mac team members Andy Hertzfeld, George Crow, Bill Atkinson, Mike Murray, and Burrell Smith—though the most famous architect of the Mac, Steve Jobs, does not appear.

One of the more intriguing and ultimately prescient segments features Macintosh marketing manager Mike Murray, where he talks about the "balance of power" shifting from "companies running people to hopefully people running companies." That sounds an awful lot like ongoing "consumerization of IT" that wasn't brought about by the Mac but rather helped along many years later by another famous Apple product, the iPhone.

Apple eventually introduced the Mac to the world via the famous Ridley Scott-directed "1984" ad that aired during the third quarter of Super Bowl XVIII on Jan. 22, 1984. Popular history holds that "1984" was only broadcast that one time, but it actually ran one other time at 1 a.m. one morning in December 1983 on KMVT in Twin Falls, Idaho, for the purpose of making it eligible for awards.

Like "1984," the unaired Mac ad was conceived by Venice, Calif.-based advertising agency Chiat\Day, now a division of TBWA Worldwide.

For more from Damon, follow him on Twitter @dpoeter.

For the top stories in tech, follow us on Twitter at @PCMag.

Olympus E-5 which will succeed the Photokina?

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Olympus have issued a vague press release that a successor to the SLR camera digital pro E - 5. The head of the team of planning of the SLR ' Olympus said the company is working on a new body for use with its best "Top Pro" lenses, as the 90-250 mm F2, 8 zoom. Akira Watanabe "MS (s) that Olympus is actively developing a solution and will announce more details in a timely manner"-on the back of this declaration, we would expect to see at least a model in the Olympus E - 5, which will succeed the bi-annual Photokina show next month...

Press release

Olympus is working on the new body for lenses top-pro

Akira Watanabe, SLR planning Olympus Imaging Department Manager, today confirmed that the company works surely on a body to provide performance focus expected by users of the series Pro Top of lens as the zoom fixed ground breaking 90-250 mm F2 aperture, 8.

Watanabe was delighted by the success of the OM - D which was pushing the boundaries of performance for the cameras of the system but acknowledged that he was not released with the high range of the E-system legacy lenses. While more information was not forthcoming, it was stressed that Olympus is actively developing a solution and will announce more details in a timely manner.

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Sony Cyber-shot DSC-HX30V

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The good: The Sony Cyber-shot DSC-HX30V has excellent photo and video quality for its class, fast shooting performance, and plenty of shooting options for every kind of user.

The bad: The HX30V is expensive, especially compared with competing models. It's not always the easiest camera to use and the feature set is so deep it might be too much for some users.

The bottom line: The feature-rich Sony Cyber-shot DSC-HX30V has a great mix of speed and photo quality.

Sony's Cyber-shot HX9V has long been the most popular camera on CNET, and for good reason. It has a nice lens, great shooting options, and fast performance, and it takes good photos and video to boot. Its successor, the HX30V, is pretty much more of the same, which in this case is a very good thing.

The biggest difference between the two models is the lens: the HX9V has a 16x, f3.3-5.9, 24-384mm lens, while the HX30V gets a 20x, f3.2-5.8, 25-500mm lens -- all without a significant increase in size and weight.

In addition to the lens you get improved autofocus speeds and image stabilization; high-resolution stills while shooting video; new creative effects; Sony's Clear Image Zoom, which digitally extends the zoom range to 40x; improved GPS with logging; and a resolution bump from 16 to 18 megapixels.

Oh, and built-in Wi-Fi. And it works well, too, so you can take a photo you couldn't get with a smartphone, but then quickly use your iPhone or Android device to share it. But if you don't want Wi-Fi, you can shave $20 off your purchase and get the HX20V instead.

So, does all of that make it the best compact megazoom? Maybe. Like a lot of things, it comes down to your needs and how fat your wallet is.

The Sony Cyber-shot DSC-HX30V produces excellent photos both indoors and out for a compact megazoom, though pixel peepers probably won't agree. If you're considering buying this instead of a high-resolution digital SLR, you'd be disappointed. For the most part, shots look very good at 50 percent to up to about 75 percent of their full 18-megapixel resolution. Above that, subjects will look a little more painterly and you'll see more noise and artifacts.That's still plenty of usable resolution, though, particularly if you're shooting with good lighting.

Below ISO 400, shots look good printed up to 10x13, which is more than most people need. Getting a very good 8x10 with some enlarging and cropping is certainly possible, too. And if you never print your shots, the HX30V's photos look great on a computer screen or HDTV.

As the camera goes above ISO 400, subjects do get noticeably softer, but shots are usable at small sizes up to ISO 1600. If you want better low-light shots of still subjects, Sony's Handheld Twilight mode still produces some of the best high-ISO photos I've seen from a point-and-shoot. I wouldn't bother using the two highest ISOs, though, as they look more like artist's renderings than photos and have off colors.

The default Standard color mode produces pleasingly bright, vivid colors, but they might not be accurate enough for some users. If you want more accurate colors, the HX30V does have a Real color setting and three other color modes in addition to Standard. There are also adjustments for contrast, saturation, and sharpness.

Movies captured by the HX30V are excellent as well. The 1080/60p and image stabilization makes for some smooth movement. Shooting fast-moving subjects with a pocket camera typically results in ghosting and judder, but that's not the case here. If you're looking for a single device for capturing photos and movie clips (it has a 29-minute continuous recording limit), this is one of the best options available. The optical zoom does work while recording, though you may hear it moving in quiet scenes. The stereo mic produced good audio and in the menu system you can find settings for the mic level and wind noise reduction.

One of the more important improvements Sony promised for the HX30V is faster autofocus. Not that the HX9V was slow, but faster focusing is always appreciated. The HX30V's shutter lag -- the time it takes from pressing the shutter release to capture without prefocusing -- was 0.3 second in bright conditions, so shooting feels very fast. Even in low light and with the lens extended it was nearly as fast at 0.4 second. From off to first shot is a quick 1.5 seconds, though it did drop to 1.8 seconds from shot to shot. It feels faster than that time suggests, though. The only time it really lagged was when using the flash. That drove the shot-to-shot time up to an average of 4 seconds.

The camera's burst-shooting mode is officially capable of up to 10 frames per second, but it actually averaged 11fps. However, this burst shooting sets focus and exposure with the first shot, and once you've fired, you're stuck waiting for the camera to save the photos, generally a second or two per photo.

In comparison, the Panasonic Lumix DMC-ZS20 can shoot at up to 10fps without continuous autofocus and 5fps with autofocus. Overall, though, the Sony's speed is excellent for a point-and-shoot.

The HX30V's controls are generally easy to use, but the pop-up flash placement isn't the best.

(Credit: Sarah Tew/CNET)

If you're looking for something slim and lightweight, the HX30V is not the camera for you. Still, all things considered it's remarkably compact and I was able to keep it in my back pants pocket when I was out shooting with it.

Its larger size not only makes room for the 20x zoom lens, but also for things like the bright 3-inch ultrahigh-resolution LCD, making it easy to see and read in daylight (though in direct sun you'll want to crank the brightness). There's a nice rubberized grip on the front and the thumb rest on the back has the same texture. You'll find a programmable Custom button on top that can be used for fast access to exposure compensation, ISO, white balance, metering, and Smile Shutter, Sony's smile-activated shutter release.

Weight (with battery and media)Megapixels, image sensor size, typeLCD size, resolution/viewfinderLens (zoom, aperture, focal length)20x, f3.2-5.8, 25-500mm (35mm equivalent)JPEG/AVCHD (.MTS); MPEG-4 AVC/H.264 (.MP4)Highest resolution size (still/video)4,896x3,672 pixels/1,920x1,080 at 60fps (progressive; 28Mbps)Li-ion rechargeable, 320 shotsYes; via USB to AC adapter or computerSD/SDHC/SDXC; Memory Stick Pro DuoPlayMemories Home (Windows), Music Transfer (Windows, Mac)

Menus are easy enough to navigate, and if you're not sure what something does, there's a full manual stored in the camera's memory. There is, however, so much packed into this camera that even seasoned camera users might have trouble remembering where some settings are or how to use a particular feature. Anyone can pick it up, throw it into one of the auto modes, and get a good shot, but to get the most from the camera, you'll want to dive into all of its settings and shooting options.

As mentioned earlier, the HX30V has both built-in GPS and Wi-Fi. The GPS works very well; it never spent very long searching for a signal, even in the middle of the city where the tall buildings can cause problems. However, it will eat into your battery life (which isn't all that long to begin with) and Sony buries the GPS' power in the menu system.

As for the Wi-Fi, it works well, too, and it's pretty uncomplicated to set up. The Wi-Fi can be used to send photos to an iPhone or Android smartphone, connect to a Wi-Fi-enabled TV for viewing, or back up your shots onto a computer. Sony's PlayMemories Home software (embedded in the camera's internal memory) used for sending to a computer is Windows only, but you can use the camera's Wi-Fi to connect directly to a Mac instead of over a network. (This, by the way, will also allow you to convert AVCHD video files to MP4 format on the fly.) If you're not comfortable with poking around with basic wireless settings on your computer or smartphone, you'll probably want to enlist the help of a techie friend to walk you through it.

ISO sensitivity (full resolution)Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800Auto, Daylight, Cloudy, Fluorescent white, Fluorescent natural white, Fluorescent day white, Incandescent, Flash, CustomEasy, Intelligent Auto, Superior Auto, Program, Manual, Memory Recall, 3D Still Image, SCN, Background Defocus, Intelligent Sweep Panorama, MovieMulti AF, Center AF, Spot AF, Face Detection (Adult, Child), Manual0.4 inch (Wide); 5.6 feet (Tele)Standard, Vivid, Real, Sepia, B&WBurst mode shot limit (full resolution)

Like all of Sony's higher-end cameras, the Cyber-shot DSC-HX30V has a lot of shooting options that take advantage of its fast Exmor R sensors and Bionz image processors. For those who like to leave it in auto, there are three options: Easy, Intelligent Auto, and Superior Auto. Easy mode takes away all options except for image size (large or small) and enlarges onscreen text. Intelligent Auto picks from 33 scene types and turns on face detection, dynamic range optimization, and image stabilization. Superior Auto takes Intelligent Auto and adds three multishot modes: Handheld Twilight, Anti Motion Blur, and Backlight Correction HDR. These multishot modes can also be selected as distinct modes in Scene options, along with 12 others like Soft Skin, Gourmet, and Pet.

In Intelligent Auto and Superior Auto, Sony gives you some extra control over Brightness, Color, and Vividness.

(Credit: Sarah Tew/CNET)

If you're willing to take control away from the camera, there are a Program mode and a Manual mode with control over aperture and shutter speed. It's limited to two aperture settings each at the wide and telephoto ends (using a neutral density filter); f3.2 and f8 for wide and f5.8 and f14 for telephoto. There are a few more sets of stops available through the zoom range, too. Shutter speeds are adjustable from 1/1,600 second to 30 seconds. It would've been nice to have aperture-priority and shutter-priority modes as well, but some control is better than none at all. The Program mode will handle shutter speed and aperture while you take care of everything else, including color modes, contrast, color saturation, and sharpness. If you come up with a group of settings you like, the Memory Recall mode lets you store three groups of settings for quick shooting with your preferences.

The HX30V's movie mode is about the best you'll find on any point-and-shoot. It's capable of recording in full HD at 1080/60p at 28Mbps in AVCHD. It'll record at lower bit rates, too, in AVCHD or you can switch to MP4 format at resolutions of up to 1,440x1,080 pixels. While there is a dedicated movie mode, you can also just press the record button anytime you want to start shooting. Pressing the shutter release while you're recording will grab 13-megapixel stills, too.

This is really just scratching the surface of what the camera can do. Check out my sample photo slideshow to see some examples of what I'm talking about.

If you're after a compact megazoom that does just about everything well, the Sony Cyber-shot HX30V is probably the one for you. It's expensive, but you do get a lot of camera for that money. However, if you're after more control and slightly better photo quality, check out the Canon PowerShot SX260 HS. Need faster shooting performance and lots of burst-shooting options? Consider the Panasonic Lumix DMC-ZS20 instead. Shooting speed (in seconds)
(Shorter bars indicate better performance)
Typical continuous-shooting speed (in fps)
(Longer bars indicate better performance)

Find out more about how we test digital cameras.

Bing Gets Gussied Up for Windows 8 Integration

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Microsoft has has optimized its Bing search engine for the upcoming release of its Windows 8 operating system.

Bing has been completely reimagined for a new user experience on Windows 8, which was released to developers yesterday.

Microsoft modeled the Bing updates on the modern design principles of Windows 8, adding features like autosuggest and tap-and-swipe navigation through a horizontal list of search results. By adding smart captions and image previews, Microsoft hopes that searchers will find it easier to get quick answers.

Not everything about Bing will change, though. Its homepage and hover points will remain, as will the collage-like image search returns. A quick tap or click on any of the photos sends the user into full-screen preview mode.

The new Snap feature allows the user to throw the Bing window onto the side of the screen, placing it side-by-side with your chosen Internet browser, allowing you to continue searching without ever leaving Bing.

Six Bing-powered apps are already integrated into Windows 8, so if your query falls into the maps, weather, news, finance, sports, or travel categories, the apps provide added access to that information.

The app will be available for PCs and tablets running Windows 8 on Oct. 26, the official launch date of Windows 8.

For more, see PCMag's Hands On With Windows 8 RTM, and our review of Bing.

To get a better look at the search engine's newest capabilities, watch Microsoft's video.

For more from Stephanie, follow her on Twitter @smlotPCMag.

Panasonic HDC-SD60K (black)

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The good: Manual shutter-speed and iris controls; comfortable size; smarter-than-average autofocus; lens focuses relatively closely; decent battery life.

The bad: Soft video; cramped, low-resolution touch screen.

The bottom line: Panasonic's quartet of entry-level HD camcorders--the HDC-HS60, TM60, TM55, and SD60--delivers a nice manual feature set and good performance, as well as solid video quality for their class. As long as you don't pay list price, the SD60 is a great value, and if possible, avoid paying the unnecessary price premium for the hard drive in the HS60.

Is it just me, or are four nearly identical versions of the same product a wee bit much? Panasonic seems to be taking a carpet bomb approach to the entry-level HD camcorder market, with those four models in the slim range between $500 and $700. The HDC-SD60, TM55, and TM60 are all identical save the amount of built-in memory: none, 8GB, and 16GB respectively; the TM60 is an exclusive to Best Buy. The HS60 includes a 120GB hard disk, and because of that has a slightly different design. Reviews of all four products are based on testing of the SD60 and HS60.

Overall, the camcorders have a comfortable-to-grip design and feel well built. If your hands are large or you simply don't like the tubular design of the flash-memory models, the HS60's hard disk sticks up on the right side, giving you a little extra edge to grip. None of them have an accessory shoe, so the top of the camcorder simply has a zoom switch and shutter button for still photos. Unusual for the price class, the series includes an LED video light for shooting in dim environments. Though it's a nice touch, don't shine it directly at people--it's quite blinding.

25x
f1.8-3.3
35.7 - 893mm (16:9)25x
f1.8-3.3
35.7 - 893mm (16:9)12x
f1.5-2.8
35 - 420mm (16:9)standard: 1,400
low light: 4
Color Night View: 1 standard: 1,400
low light: 4
Color Night View: 1 standard: 1,400
low light: 1.6
Color Night View: 1 32GB flash/240GB hard disk; SDXCAVCHD:
1080/60i @ 17 , 13, 9 Mbps; 1,440x1,080/60i @ 5 MbpsAVCHD:
1080/60i @ 17 , 13, 9 Mbps; 1,440x1,080/60i @ 5 MbpsAVCHD: 1080/60p 28Mbps; 1080/60i @ 17, 13, 9 ,5 Mbps
5.1 channels;
mic, headphone jacks

Panasonic provides a switch on the back of the camcorder to select among still, video, and playback modes; it's much more convenient than having to go through the touch screen. Next to the switch is the power connector. Along with the power button, a full complement of ports and connectors live in the LCD recess: proprietary video and Mini-HDMI out, USB, and an SDXC card slot. Though everybody's doing it, I dislike the placement of the connectors inside the LCD, since that means it's got to be open while you're attached to other devices, which is just kind of awkward. You toggle between intelligent auto and manual via a button on top of the camcorder.

In both modes, the relevant options become available via a flyout set of icons on the touch screen. All provide manual shutter speed and iris controls similar to their higher-end counterparts--uncommon, but not unique at their price points. As with their siblings, I find the user interface relatively straightforward. There are also nice iris controls for their class, switching from f-stops to decibel display when you cross the line where the optics are wide open, as well as providing an optional luminance-level readout.

Case UK launches

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Manufacturer of packaging PRP has launched a new e-commerce Web, case UK site. It offers top of the range, waterproof, waterproof military grade dust and drop-proof protection cases appropriate for photographic equipment.

PRP press release

Manufacturer of packaging PRP has launched a new Web site of e-commerce, case UK, which offers high-end, military rank, case protection waterproof, sealed dust-resistant cameras downward.

Case UK - available at http://www.cases-uk.co.uk - offers a wide range of cases of protective and heavy duty ideal to ensure a high level of protection for all equipment during the journey and on the spot.

Foam lined case, which starts at only £37 for a suitcase Peli, allow customers to take advantage of having a case of semi-bespoke for valuable or fragile objects by cubic cm Cup an innovator of the insert foam.  This Division allows customers to "choose and pick" cubes of foam as necessary to ensure a precision fit.

Matthew Dobson, Director of Marketing for the packaging of the PrP and where UK, said: "we have found more than the photographers were contact us for their specialized equipment.".  They seek a high level of protection customized for their features and reliability, fast and affordable delivery including many other websites can struggle to provide.

"Http://www.cases-uk.co.uk Web site allows us to provide tubes in small numbers and case of quality for customers who need only small amounts."  This means that when the case on measure were once only for large companies with big budgets, now any photographer, amateur or professional - is able to benefit from us without significant costs. »

http://www.CasesUk.co.UK supplies in case of storm including Peli case Zarges, Zarges Eurobox cases, plastic Rose and Ergoline.  Inventory items are delivered the next day when ordered before noon.

Visit http://www.cases-uk.co.uk/photographic-equipment to see the full range of products.

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Google+ App Updates Boost Hangout Options

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An update to the Google+ iOS and Android apps rolled out Wednesday, with some new Hangout experiences in tow.

Android users can now create and join Hangouts from their smartphone or tablet. More notably, however, they can also join Hangouts on Air, which allows chatters to stream video calls with people from around the world, instead of just a close group of friends.

Hangouts on Air, unveiled in May, also records to the Web video chats between up to 10 people, automatically uploading the broadcast to the user's YouTube channel, and adding a YouTube link to the Hangout post in Google+. The formerly desktop-only feature is now open to all Android users.

The Android version was the first to roll out the ability to join Hangouts on Air from a mobile device, a Google spokeswoman said, "but rest assured an iOS update is just around the corner."

Additionally, mobile Google+ will now allow teens to use Hangouts on their iOS or Android devices. Google provided teen access to Google+ earlier this year.

Other minor updates include Android's floating timestamp in the photos view, shortcuts for post creation, and the ability to report abuse in Events, as well as Instant Upload bug fixes to improve performance on iOS.

In iOS, meanwhile, users will have the option to open Web links in Chrome rather than Apple's default Safari browser, if you have the Google app installed.

Both Google+ apps are currently available for free download in the Google Play store and Apple's App Store.

For more, see PCMag's review of Google+, as well as the Google+ app for iPhone, Android, and iPad (slideshow below).

For more from Stephanie, follow her on Twitter @smlotPCMag.


The guardian eyewitness App Relaunches

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App photography eyewitness of guardianship for iPad has relaunched with Visual content more than ever before. As the approach 1 million app downloads, users will be offered dozens of additional images each month thanks to a new subscription-app service "witness eye Premium", which cost £1.49 a month (or the equivalent in local currency). The guardian eyewitness photography app for iPad is available to download for free from the App Store.

The Guardian press release

Immensely popular eye photography goalkeeper for iPad app relaunched with Visual content more than ever before.

For more than two years, the app presented one of the photographs of more distinctive and provocative worldwide per day, provide a Visual reflection of world events. The print Guardian eyewitness series was revolutionary when it was introduced in color through propagation centre of the journal in 2005 and has proved just as popular on the iPad.

The guardian eyewitness app launched to great success in April 2010 as one of the first applications available on the original iPad and since in drawings of the Design Museum for the exhibition of the year in London in 2011. Now, as downloads of the app 1 million users approach will be offered dozens of additional images each month thanks to a new subscription-app service "witness eye Premium", which cost £1.49 a month (or the equivalent in local currency).

Eyewitness Premium subscribers offer with eyewitness Extra - three additional photos per day specially selected for the application by the Office of award-winning image of guardianship. A subscription includes access to new collections "witness eye Series", which presents an image single standout every day during major world events. The app will be preloaded with a collection of games, and a new collection will begin this month with the Paralympic Games 2012 London.

Subscribers can always show, favorite and share the image original eye witness of the day, free of charge, as well as an archive of the most recent 100 images of an eyewitness. Each image is also accompanied by a "tip pro", to give professional perspectives in the composition or the technical specification of a particular image.

Roger Tooth, head of photography of the guardian, said: "we have breakdance by the global appeal of the ocular application since its creation in 2010, and it has been wonderful to see hundreds of thousands of people around the world to engage with photography, we have chosen to feature on the app.."

"News of today mean that - while users can still enjoy free image daily, as they have always been: photography enthusiasts can now enjoy more great new images all over the world every day.

The guardian eyewitness photography app for iPad is available to download for free from the App Store on iPad or at http://www.itunes.com/apps/theguardianeyewitness.

More information is available at http://www.guardian.co.uk/mobile/ipad/eyewitness.

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Kodak PlayTouch (black)

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The good: Small, attractive body; headphone/mic jack; basic on-device clip editing; very good sharing features and software; responsive touch screen.

The bad: Mediocre video quality compared to previous models; squeaky battery door; can't use full screen for shooting.

The bottom line: Mediocre video quality and a couple design issues keep the Kodak PlayTouch from being a top-notch minicamcorder.

It's reasonable to expect the new version of a product to be better than or at least as good as its predecessor. When it's not, it makes the new version that much more disappointing. That's unfortunately the case with the Kodak PlayTouch, also known by its model number, the Zi10.

The PlayTouch is the update to the Zi8, which was an excellent minicamcorder and one of the only models available with an external mic jack. The PlayTouch has a very similar feature set--including the mic jack--but has a 3-inch touch screen, a wider lens, and a smaller, more attractive body. The thing is, the touch screen apparently comes at the cost of some video quality, because the PlayTouch's movies simply aren't as good as the Zi8's or the waterproof Kodak PlaySport's. The touch screen does have a couple advantages that some users might value enough to overlook its video issues, though.

Weight (with battery and media)128MB internal memory (20MB available); SD/SDHC memory cards5 megapixels, 1/3.2-inch type CMOS3-inch touch-screen LCD, 230K dotsFixed focus, f2.8 44mm at 1080p, 33mm at 720p (35mm equivalent)H.264 video, stereo AAC audio (.MP4)1,920x1,080 at 30fps (16Mbps, progressive)Lithium ion rechargeable; 100 minutes (720p @ 30fps)

The PlayTouch is nice-looking and an improvement over the Zi8 in size and comfort. It feels better built, too, perhaps because of the metal casing. It's small and light enough to fit in a pants or jacket pocket, which is pretty much what you want in a minicamcorder. On top is a switch for moving from normal shooting into macro for close-ups as well as a jack for connecting headphones or an external stereo mic. Because of the jack placement there is a chance you'll end up with your mic's wire in your shot. I'd prefer the jack to be on the side, but it's not a deal breaker and I'd rather have the jack than not.

As typical of minicamcorders, the lens on front is left fairly unprotected, so you'll need to remember to keep it safe and clean. Next to the lens is the mono microphone, an IR receiver for an optional remote, and a record light that blinks red when you're recording. The light as well as all operational sounds can be shut off.

Below the lens is the battery compartment cover. Though having a removable battery is great, the cover makes a horrible creaking sound every time you adjust your grip. If you're not careful while shooting, the mic picks this up as a cracking or popping sound in your movies. The cause is two metal clips that help hold the cover in place when closed. Pushing the clips down into the body of the PlayTouch is enough to stop the noise, but it does make the cover slightly less secure.

Under a cover on the right side of the body below the power button is the SD/SDHC memory card slot; there is almost no internal memory available for storage. The left side has an AV jack as well as a door protecting Mini-HDMI and Micro-USB ports and a flip-out USB connector. Cables are included for each of these.

On back is a single Record/Select button and a 3-inch touch-screen LCD. The screen is bright, but Kodak adds an LCD Glare Shield feature to this model that sounds fancier than it is. It simply improves screen visibility in bright outdoor lighting by changing from a Normal picture to High Saturation or Black & White. The settings have no effect on the actual video, but they can help you see what you're shooting.

Facebook, Twitter Compete for Gold in Olympics Coverage

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During previous Olympic Games, all eyes were fixed on television screens. This year, the TV competed with smartphone, tablet, and computer screens more than ever.

According to Twitter, the micro-blogging site recorded more than 150 million tweets about the Olympics during its 16-day run. Facebook also measured unprecedented growth in users' "likes" of athletes' posts.

Based on Twitter's data, the most exciting moments came during the heat of competition, not necessarily during the medal-winning conclusion of a sport. Kobe Bryant's dunk at the end of the USA-Spain basketball game and Hope Solo's land-diving save in the USA-Japan soccer match both won gold in terms of tweets.

The site also pinpointed the five biggest moments in London's two-week competition, as measured by the number of tweets per minute: Jamaica's Usain Bolt's 200m and 100m sprints, Andy Murray's gold in men's tennis singles, Jamaica winning gold and setting the world record in the men's 4x100 relay, and Team USA beating Spain in men's basketball for the gold medal.

Bolt ended the games with the record for being the most discussed athlete on Twitter, followed by nine others, including Michael Phelps and Ryan Lochte, Gabby Douglas, Yohan Blake, and Lee Chong Wei.

On the Facebook front, social media marketing firm Wildfire - which was recently acquired by Google - examined London 2012's top performing athletes on Facebook. Wildfire looked at athlete fan base growth and who had the most engaged followers. Surprisingly, few of the players overlapped between the two social networks, in terms of front-runners.

Jamaica, thanks to Bolt, took the first-place spot among countries with the most global reach on Facebook; Bolt's page has more than 7 million likes. Tennis stars pushed Switzerland and Russia into second and third place, with help from the popularity of Roger Federer and Maria Sharapova, respectively.

All social networks are not created equal, though.

According to Wildfire's data, the most popular athletes had a 96 percent larger fan base on Facebook than on Twitter. The median number of Facebook fans per top athlete was more than five times the number of Twitter followers, Wildfire found.

Still, Twitter action reached great heights, collecting more than 5 million tweets about soccer – the post popular sport among short-form conversationalists.

For more from Stephanie, follow her on Twitter @smlotPCMag.

Nikon Coolpix L810 (Black)

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The good: The Nikon Coolpix L810 is an inexpensive 26x megazoom point-and-shoot that's easy to use and runs on AA batteries.

The bad: The L810 performs poorly in low light and indoors without a flash, and its shooting performance is slow, as is its autofocus.

The bottom line: The Nikon Coolpix L810 offers a lot of specs at a low price. If you need fast shooting performance, though, you'll need to spend more money.

Editors' note: During my testing, I experienced some performance issues that Nikon attributed to my review camera being an early production sample. I tested a second L810 camera, and while its autofocus and overall shooting performance were still slow, it did not exhibit any other issues. If you have an L810 that is performing unusually, such as giving lens cap error messages when the lens cap is off or unexpectedly powering the camera off, contact Nikon customer service at 1-800-Nikon US. The rating and text of this review have been adjusted accordingly.

It's completely reasonable to expect a particular product, in this case a camera, to get better with each generation. That's not the case with the Nikon Coolpix L810.

Sure, on paper, Nikon is offering more for your money in the L810 than in its predecessor, the L120. But that's simply a matter of specs; you get a wider, longer lens and a higher-resolution sensor, neither of which gets you better photos.

Also, despite its looks, the L810 is very much a basic point-and-shoot camera, offering little more than fully automatic shooting. Not that that's a bad thing and, in fact, if all you need is a decent auto mode and a long lens for shooting in daylight and your photos are going straight to Facebook, the L810 is plenty.

Weight (with battery and media)Megapixels, image sensor size, typeLCD size, resolution/viewfinderLens (zoom, aperture, focal length)26x, f3.1-5.9, 22.5-585mm (35mm equivalent)Highest resolution size (still/video)4,608x3,456 pixels/ 1,280x720 pixels at 30fpsAA size (4, alkaline included), 300 shots

Photo quality
As with most entry-level point-and-shoots, you'll want to give the L810 as much light as possible. Photos are best at and below ISO 200. As the sensitivities increase, so do the noise and smeary details from noise reduction. Also, colors appear slightly washed-out and muddy from noise from ISO 400 and above. This, combined with the increased softness at higher sensitivities, means the indoor and low-light photo quality just isn't very good. So again, as long as you have plenty of light and don't do more than share photos online or make the occasional 4x6-inch print, the L810 takes good snapshots.

Photo quality gets noticeably worse above ISO 200.

(Credit: Matthew Fitzgerald/CNET)

The camera's color performance is its best attribute, though again it's dependent on using ISO 200 or lower. At those sensitivities, colors appear bright and vibrant. Exposure is good, but as usual with compact cameras, highlights will occasionally blow out. Its white balance is good overall, though the auto white balance is warm under unnatural lighting.

Video quality is the same as photo quality: good enough for Web use at small sizes. Panning the camera will create a little judder and you may notice some motion blur with fast-moving subjects; that's typical of the video from most compact cameras. The zoom lens does work while recording, which is definitely a selling point with such a long lens. Its movement is slow -- as is the autofocus, if it focuses at all -- and you will hear it moving in your clips.

ISO sensitivity (full resolution)Auto, 80, 100, 200, 400, 800, 1600Auto, Custom, Daylight, Incandescent, Fluorescent, Cloudy, FlashEasy Auto, Scene, Smart Portrait, Auto, Movie0.4 inch (middle zoom position)Evaluative, Center-weighted (when using up to 2x digital zoom), Spot (digital zoom of 2x or more)Standard, Vivid, Sepia, Black & White, CyanotypeBurst mode shot limit (full resolution)

Features
As I mentioned earlier, if you're looking for an uncomplicated automatic point-and-shoot, that's exactly what this is. There are two Auto modes on this camera. One is Easy Auto, which uses scene recognition (Nikon calls it Scene Auto Selector) and adjusts settings appropriately based on six common scene types. If the scene doesn't match any of those, it defaults to a general-use Auto. Then there is an Auto mode, which is similar to the program AE modes on other point-and-shoots, giving you a modicum of control over your end results. You can change ISO, white balance, and exposure compensation as well as color, flash, and continuous-shooting modes. Light metering is locked to multipattern unless you're using the digital zoom, and the focus area is fixed to the center of the frame.

If you're able to decipher the type of scene you're shooting, it may correspond to one of the camera's 16 selectable scene modes. All of the scenes are standards like Portrait and Landscape, and there is a Panorama Assist for lining up a series of shots that can be stitched together with the bundled software. Nikon's Smart Portrait System gets its own spot in the shooting-mode menu. Basically, it combines a Blink Warning, Skin Softening, Smile Shutter, and Face Priority AF (autofocus) features into one mode. The system works well, in particular for self-portraits, allowing you to take pictures without pressing the shutter release or setting a timer (limited to one 10-second option).

With enough light, the L810 produces good close-up shots. This is a 100 percent crop from the inset photo.

(Credit: Joshua Goldman/CNET)

If you like to shoot close-ups, the L810 can focus as close as 0.4 inch from your subject, but to do so you need to zoom in a little; an arrow on the onscreen zoom indicator turns green when you're at the right length. Worth noting is that if you try to use the flash when shooting close-ups, depending on how close you are, you can end up with a shadow from the lens barrel (common for long-zoom cameras).

Performance
Shooting performance is slow, though the L810 is on par with other lower-end compacts in this area. The camera starts up and shoots in 2.3 seconds in good lighting. Its shot-to-shot times are about 3.3 seconds without the flash and 4.1 seconds with -- both slower than the times of the model it replaces. The camera can continuously shoot at full resolution up to four photos at a rate of about 1.1 frames per second, which is decent, but focus and exposure are set with the first shot, so it's not ideal for fast-moving subjects. Shutter lag -- how quickly a camera captures an image after the shutter-release button is pressed without prefocusing -- is also worse than the L120's at 0.5 second in bright lighting and 0.8 second in dim conditions. Worth noting, too, is that its autofocus is very slow when you extend the lens. What this all means is that the camera is too slow for getting specific shots of active kids or pets, sports, or fast-moving wildlife without practice and a lot of luck.

(Note: Again, I tested two L810 cameras. My first camera experienced a few performance problems, including unexpectedly shutting down during use. Nikon attributed these to my camera being an early production sample. I tested a second L810, and while its autofocus and overall shooting performance were still slow, it did not exhibit any other issues. If you have an L810 that is performing unusually, contact Nikon customer service at 1-800-Nikon US.)

The L810 is easy to use out of the box. However, with no viewfinder, the 26x zoom is tough to keep steady without a support.

(Credit: Sarah Tew/CNET)

Design and use
Using the L810 is straightforward.The controls and menu system are fairly uncomplicated, so out-of-the-box shooting shouldn't be a problem. The menu system is broken into three tabs: Shooting, Movie, and Setup. The layout keeps you from doing too much hunting through settings, not that there's all that much to adjust. (For example, you can't even turn off the digital zoom.) That's not to say it won't take a little effort to get the most from this camera, but the basics of shooting a photo or movie are easy.

With the camera loaded with its four, AA-size batteries, it has a nice weight to it, and the ample handgrip gives you something substantial to hold. Unfortunately, without a viewfinder, the camera is difficult to keep steady with the lens extended.

On the bottom is a locking door covering the SD card slot and batteries. You can use alkaline, NiMH rechargeables, or lithium AA batteries. Nikon includes alkaline batteries, which will last for up to 300 shots; lithium batteries should last for nearly 750 shots. NiMH rechargeables are rated for up to 450 shots. On the left side of the body is a covered panel with a small DC input for an optional AC adapter, a Mini-HDMI port, and Micro-USB/AV port.

Conclusion
The Nikon Coolpix L810 is not a camera I would easily recommend. If you simply must have a 26x zoom lens and AA batteries for power, it's OK, especially for its price. However, you may want to seek out the older L120 if it's still available or check out the competing Fujifilm FinePix S4200.